That same year, his collaboration with Ochestre National de Jazz was released as Charmediterranéen. La haute couture de retour sur les podiums parisiens: Pour vous abonner, saisissez votre adresse email. Newsletter Festival Days Off. While used in the past to accompany vocalists, the oud is used by Brahem as an imaginative solo instrument.
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Puis il s’est intéressé au jazz: The composer and oudist toured several festivals and select European cities with October of The role of the Arabic, lute-like, stringed instrument, the oud, has been revolutionized through the playing of Anouar Brahem. En cas de réutilisation des textes de cette page, voyez comment citer les auteurs et mentionner la licence. Although he initially focused on Arabic music, Brahem increasingly incorporated elements of jazz. Over the course of a month, they recorded enough material for the double album Souvenance, which was issued in the spring of
InTunisian newspaper Tunis-Hebdo wrote, « If we had to elect the musician of the ’80s, we would have, without the least hesitation, chosen Anouar Brahem. Encouraged by his music-loving father, Brahem began studying the oud, at the age of ten, when he enrolled anoar the National Conservatory of Music. For nearly a decade, he studied with influential oud player Ali Sitri.
INTERVIEW. « Blue Maqams », les rêveries jazz d’Anouar Brahem
By the age of 15, he was playing well bbrahem to perform regularly with local orchestras. Although he initially focused on Arabic music, Brahem increasingly incorporated elements of jazz. This was enhanced during the six years that he spent in Parisperforming at festivals and collaborating with choreographer Maurice Bejart on a production of A Return to Carthage that received the prestigious National Award of Excellence In Music.
Returning to Tunis inBrahem performed at the Anoua Festival in the multi-artist production Ligua Shortly afterwards, he agreed to become director of the Ensemble Musical de la Villa de Tunis.
During the two years that he oversaw the ensemble, Brahem divided the group into smaller sets of various sizes. InBrahem resigned to focus on his own career.
In a review of the album, German music magazine Stereo wrote, » Brahem is an exceptional musician and improviser. His fourth album, Khomsa, released infeatured improvised interpretations of his compositions for Tunisian film and theater productions, and was recorded with accordion player Richard Galliano and amouar Bechir Selmi.
Anouar Brahem — Wikipédia
With his fifth effort, Thimar, released inBrahem collaborated with soprano saxophone and bass clarinet player John Surman and double bass player Dave Holland. That same year, his collaboration with Ochestre National de Jazz was released as Charmediterranéen.
Bgahem took time off to tour and to write. It would be three years before he released The Astounding Eyes of Rita played in a quartet setting with bass clarinetist Klaus Gesingdouble bassist Björn Meyerand Khaled Yassine on darbouka and bendir. The composer and oudist toured several festivals and select European cities with October of Affected anouat by the continually unfolding events of the Jasmine Revolution in his native Tunisia and the political tumult that followed, Brahem began composing along thematic lines.
When he finally entered a studio in Lugano anpuar Eicher inhe enlisted GesingMeyerand Couturieras well as the string section from Orchestra della Svizzera Italiana conducted by Pietro Mianiti. Over the course of a month, they recorded enough material for the double album Souvenance, which was issued in the spring of The latter word in the title refers to the Arabic modal music system, and is modified by anouarr « kind of blue » treatment the jazzmen brought to the session.
Anouar Brahem : » Pourquoi j’ai choisi le oud ? Je ne sais pas. Une évidence. »
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